Showing posts with label Alice's Adventures in Wonderland. Show all posts
Showing posts with label Alice's Adventures in Wonderland. Show all posts

Thursday, July 26, 2018

New Works at Helikon for Hometown Heroes!

Informal Chat
Mixed media (watercolor, India ink, acrylic inks, UV protectant varnish) on watercolor paper mounted on birch.

This 8" x 10" painting is one of five pieces that I'll have in the exhibition, Hometown Heroes at Helikon Gallery  
The opening is this Saturday, July 28th from 6-10 pm!

Informal Chat was inspired by all of the magical faery-folk in tales and legends. I've always loved little guys, lanterns, owls, and the natural world, so this piece was a blast to create :]


Here are three more of the ready-to-hang works available at the show or through Helikon's site. These are wood cut-outs (mixed media works on watercolor paper mounted to hardboard). I used watercolor, India ink, acrylic inks, and acrylic gouache. The finished works are then cut out on a scroll saw and coated with UV protectant varnish.

Two of these cut-outs (the rooster and mouse; approx. 9" x 15") were inspired by folk tales, while the froggy-fellow (approx. 5" x 10") was inspired by the footman in Alice's Adventures in Wonderland.

Hope you'll join me and all the other dynamic Colorado artists for Hometown Heroes--plus amazing new figurative works by Ryan Morse Underneath in the Annex Gallery!

If you can't attend, or would like more information, just click on this link:

And all works (and more!) are available online through

Please support artists and the arts--it's more important than ever.

As always--Thank you!

Sunday, April 26, 2015

Amazing Victorians

 Who's dour and stodgy?

Much criticized, and often stereotyped as a dour, stodgy era, the Victorian period actually exploded with vibrant art and scientific discoveries, fueled by the inquisitiveness and varied passions of the people during that time.

I love the Victorians; their art, literature, and curiosity!
And I especially love the art of Sir John Tenniel, most famous for his illustrations for Lewis Carroll's Alice books, but a contributor to Punch magazine as well.

But getting those incredible illustrations transferred to a printing press was a complex task, made possible by brilliant scientific discoveries of the age--in this case, engraving and electrotyping.

Preliminary drawing for Father William by Sir John Tenniel.
(Image from Tenniel's Alice, 1978, The President and Fellows of Harvard College)

Tenniel's illustrations were meticulously hand-drawn, using very hard 6h pencils--especially made for him. He worked in the "facsimile-style" for engraving; drawing directly onto the surface of the wood block before sending it to the engravers.  First, Tenniel worked up his composition, transferred the drawing via tracing paper directly onto a boxwood block, and then finished the detailed line-work. When completed, the block was sent to the talented engravers, the Brothers Dalziel, who carefully preserved the style of the artist while cutting the design into the wood.

 But the demands of high-quantity printing would wear down an engraved block.

The solution: Electrotyping, discovered in the early part of the nineteenth century, and perfected by the Victorians.
It was a fantastic invention--basically transforming the wood engraving into a harder, metal plate. The process: A wax mold (subsequently coated with fine graphite dust) or a lead mold was taken of the engraved block. This mold was then immersed in a bath of metal salts and H2O, along with a bar of the same metal. The mold is the cathode--connected to the negative terminal of the electric source. The metal bar--the anode--is connected to the positive electrical source.

Electrotype Diagram*
When the electric power was activated, the bath gave its metal content to the surface of the mold. The electrical current flowed through the (copper in this diagram) anode connected to the positive terminal of the electrical source, through the bath, and into the coated mold (the cathode). A metal film (the electrotype) grew onto the electrically conducting coating of the mold.

 The result: A sturdy metal engraving plate capable of many printings--amazing!

A colored version of the engraving, from a special edition of Alice's Adventures in Wonderland, published by Random House in 1946.

 So, who's dour and stodgy?
(Photo ca. 1883-1886, by Eadweard Muybridge)

 Thanks for reading!

 
*"Electrotyping" by Easchiff - Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Electrotyping.svg#/media/File:Electrotyping.svg
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