Maurice Sendak's The Juniper Tree

I love Grimm tales and I love the genius of Maurice Sendak. Finally grabbed my own copy of Sendak's The Juniper Tree, and have been studying and gorging on the drawings all week.

 

This is not only one of my favorite illustrations from the book, but it's also one of my favorite illustrations period.

I could write on and on about the freshly bizarre and claustrophobic imagery that Sendak wrung from the tales, and the near-surrealistic style of each illustration, but I'm pretty sure that's all been covered by many writers far greater than me.

 

But if by some chance you haven't seen this book, Brain Pickings did a post on it with more of the illustrations and you can see them here:

Brain Pickings Juniper Tree

Better yet, buy the book.

And thanks for checking out my blog!

Creativity Sparks: The Twenty (at present)

Illustration to Reynard the Fox and Other Fables, by John Rae 

Scrolling through picture after picture on the internet can be a double edged sword. Looking at illustrations keeps my creativity flowing, but looking too much can make me glaze over sometimes, and I lose the point of examining admirable works.

 The Gruegach, by John D. Batten

I've found that limiting it once in awhile helps. Gathering ten to twenty illustrations that have caught my eye, then sticking with them--examining them for why they arrested me--helps me to limit and learn. 

Illustration from his Bill the Minder, by W. Heath Robinson

So I offer three of my current Twenty here. The reasons for the choices are personal, but when I examine them and think about the techniques, no surprise that they've sparked my imagination.

If you are interested in seeing the others, find them here:

Sarmo's current Twenty

 

And thanks for reading!

Amazing Victorians

 Who's dour and stodgy?

Much criticized, and often stereotyped as a dour, stodgy era, the Victorian period actually exploded with vibrant art and scientific discoveries, fueled by the inquisitiveness and varied passions of the people during that time.

I love the Victorians; their art, literature, and curiosity!
And I especially love the art of Sir John Tenniel, most famous for his illustrations for Lewis Carroll's Alice books, but a contributor to Punch magazine as well.

But getting those incredible illustrations transferred to a printing press was a complex task, made possible by brilliant scientific discoveries of the age--in this case, engraving and electrotyping.

Preliminary drawing for Father William by Sir John Tenniel.
(Image from Tenniel's Alice, 1978, The President and Fellows of Harvard College)

Tenniel's illustrations were meticulously hand-drawn, using very hard 6h pencils--especially made for him. He worked in the "facsimile-style" for engraving; drawing directly onto the surface of the wood block before sending it to the engravers.  First, Tenniel worked up his composition, transferred the drawing via tracing paper directly onto a boxwood block, and then finished the detailed line-work. When completed, the block was sent to the talented engravers, the Brothers Dalziel, who carefully preserved the style of the artist while cutting the design into the wood.

 But the demands of high-quantity printing would wear down an engraved block.

The solution: Electrotyping, discovered in the early part of the nineteenth century, and perfected by the Victorians.
It was a fantastic invention--basically transforming the wood engraving into a harder, metal plate. The process: A wax mold (subsequently coated with fine graphite dust) or a lead mold was taken of the engraved block. This mold was then immersed in a bath of metal salts and H2O, along with a bar of the same metal. The mold is the cathode--connected to the negative terminal of the electric source. The metal bar--the anode--is connected to the positive electrical source.

Electrotype Diagram*
When the electric power was activated, the bath gave its metal content to the surface of the mold. The electrical current flowed through the (copper in this diagram) anode connected to the positive terminal of the electrical source, through the bath, and into the coated mold (the cathode). A metal film (the electrotype) grew onto the electrically conducting coating of the mold.

 The result: A sturdy metal engraving plate capable of many printings--amazing!

A colored version of the engraving, from a special edition of Alice's Adventures in Wonderland, published by Random House in 1946.

 So, who's dour and stodgy?
(Photo ca. 1883-1886, by Eadweard Muybridge)

 Thanks for reading!

 

*"Electrotyping" by Easchiff - Own work. Licensed under CC BY-SA 3.0 via Wikimedia Commons - http://commons.wikimedia.org/wiki/File:Electrotyping.svg#/media/File:Electrotyping.svg