Maurice Sendak's The Juniper Tree

I love Grimm tales and I love the genius of Maurice Sendak. Finally grabbed my own copy of Sendak's The Juniper Tree, and have been studying and gorging on the drawings all week.

 

This is not only one of my favorite illustrations from the book, but it's also one of my favorite illustrations period.

I could write on and on about the freshly bizarre and claustrophobic imagery that Sendak wrung from the tales, and the near-surrealistic style of each illustration, but I'm pretty sure that's all been covered by many writers far greater than me.

 

But if by some chance you haven't seen this book, Brain Pickings did a post on it with more of the illustrations and you can see them here:

Brain Pickings Juniper Tree

Better yet, buy the book.

And thanks for checking out my blog!

The Old Witch, Part Two

http://tomsarmo.blogspot.com/

Hello again!
In the previous post I showed the prelims for the border (above is a detail of the stonework at the top)...

 ...but I hadn't shown my source for the border design. So here it is, snagged from a Dover clip art book. It's a lot of fun to let something like this generate fresh imagery!

When the design was all planned and sketched onto multiple layers of bum wad, I placed them onto my light table ( http://tomsarmo.blogspot.com/2013/08/quick-and-easy-diy-artists-light-box.html ) for tracing onto a sheet of 140 lb watercolor paper. Cold press is my choice most often. I chose a human femur for her cane, just for the subtle malevolence...

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...and went over the pencil lines with pen, brush, and india ink.

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I limited my palette to five colors--raw umber, burnt sienna, cadmium red, cerulean, and
ultramarine-- basically the primaries (a yellow, two reds, and two blues). Here's a preliminary wash of raw umber and cerulean over the pen work.

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Building up the layers, bit by bit.

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The obligatory and over-used hand-and-brush shot...

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...and a detail of the peeping scribe at the bottom of the border. I love hand lettering! Finding a font, nudging, changing, and embellishing it, and then adding the paint results in a particularly pleasurable feeling.

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Here's the staged shot of the final art with materials and reference props.
The poster--one of a series--will be available in 2015.

Thanks for following up on this--hope you enjoyed the process!

The Old Witch, Part One

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The Old Witch (detail).

This is the second image for a recent project. I'm in the middle of the third, and The Creature http://tomsarmo.blogspot.com/2014/08/httptomsarmo.html  was the first. I love drawing Frankenstein--same with witches--so heading to the studio has been a true pleasure lately.

Witches and apples in fairy and folk tales seem inextricably paired. And what's a magical person without a familiar? In this lady's case, it's a slightly tilting, crabby owl!

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Disorganized (I am getting better), my prelims usually end up scattered in random sketchbooks and drawers. I know there were more, but these are some preliminary witch-head studies. The thumbnails for the composition elude me at the moment. 

The idea of The Old Witch has been with me for years, probably beginning with an old Aurora model I built as a kid, and...  

http://www.lambiek.net/artists/i/ingles.htm

...the amazing Graham Ingels' Old Witch! 

Growing up, a tremendous amount of images got seared into my brain thanks to the barber shop's comic book collection. This is only one of those pictures that scared the pants off me, thus never forgotten.

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Dug up some more prelims--early versions of the venerable sorceress, and an idea for the text banner.

Once the witch's pose was settled on, a hand-selfie with apple was necessary.

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But I'm getting ahead of the post.

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I also worked on the border. Here it took on a Celtic spin...

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...but changed my mind in favor of a cauldron. That doesn't last either. The bird skull finally takes shape here though.

Well that's it for Part One--more next post--and

Thanks, as always, for checking out my blog!

William Heath Robinson: Some Rare Images

www.tomsarmo.blogspot.com

Illustration detail from a battle scene by W. Heath Robinson. 

From The Monarchs of Merry England, by Roland Carse, 1907.

Among my many influences, Heath Robinson's works have always been among the top three. 

The above detail shows not only his great skill as a draftsman and painter, 

but is as fresh and luminous as many contemporary digital illustrations. 

Now, I'm not one of those curmudgeonly critics who thinks good 

illustration ended with the Golden Age. I love it but 

am also fascinated by the amazing new works out there. 

Those will be for future posts. 

In the meantime, Heath Robinson's 

works deserve all the re-visiting they can get.  

Over the years, I've managed to collect some rare books that 

contain many of Robinson's lesser-known works. Seems a good idea to share a few;

therefore all of the pieces in this post are his.

Robinson's art is extremely eclectic, yet always retaining the stamp of 

his unique style and humor. Since I worry often about the variation in my own artwork, 

it's a comfort to see that Robinson's amazing talent and successful career 

was not damaged by his wide range of picture-making skills and interests.

Haystacks in the Snow

Since I've never seen this anywhere but in an old art catalog, not sure if it was a 

full color watercolor or originally done in black and white, but the piece is 

gorgeous nonetheless--worthy of Jean-Francois Millet.

This goofy little bird-man is from The Works of Rabelais 

which Robinson illustrated for Grant Richards in 1904.

I've always examined and learned from Robinson's full-color plates, 

but his pen and ink work is paragon, and his spot illustrations 

of goofy people burst with life and character.

This is a border decoration from 

the aforementioned Monarchs of Merry England...

...as is this jumping Medieval Scotsman.

This little piper kills me. He marches along on a 

sheet music illustration--the whole thing shown below:

This is a beauty--a stunning pen work full of tiny elves 

peeping out of the trees and faery folk cavorting in the air.

A Hag from Witches and Fairies

Collapsible Bishop's Hat, from The Bystander, 1920

A Very Tremendous decoration 

from The Water Babies, 1915

Also from The Water Babies

From The Bystander, lampooning a proposed 

tunnel under the English Channel, 1919

And last, another brilliantly lit watercolor...

The Black Prince, After Crecy, from The Monarchs of Merry England.

For more on William Heath Robinson visit http://www.heathrobinson.org/

Stay tuned for some future posts on some exciting contemporary illustrators.

And thanks for the visit!