A (New-to-Me) Rackham

Arthur Rackham. From Poor Cecco, by Margery Williams

I've studied Rackham's work since I was 16, and I'm not alone in the fascination--

his work is everywhere on the internet, and rightly so.

Many of his images are reproduced over and over, and I sometimes have to force myself to study those with fresh eyes in order to re-appreciate them. That's always worth the effort, because those pieces have become classics for a reason. 

When I find one I hadn't previously seen though--what a pleasure! This one, from 1925, is more colorful than many of his works. There's a lot to check out here--the use of the black silhouette, the wooden dog and crate which keep the eye from wandering out the corners of the page, and the sweet watercolor work on the up-turned bottle. But I most love his use of the faded characters in the background. The delicate greys and those spider-webby ink-lines are pure genius.

Thanks for the visit!

William Heath Robinson: Some Rare Images

www.tomsarmo.blogspot.com

Illustration detail from a battle scene by W. Heath Robinson. 

From The Monarchs of Merry England, by Roland Carse, 1907.

Among my many influences, Heath Robinson's works have always been among the top three. 

The above detail shows not only his great skill as a draftsman and painter, 

but is as fresh and luminous as many contemporary digital illustrations. 

Now, I'm not one of those curmudgeonly critics who thinks good 

illustration ended with the Golden Age. I love it but 

am also fascinated by the amazing new works out there. 

Those will be for future posts. 

In the meantime, Heath Robinson's 

works deserve all the re-visiting they can get.  

Over the years, I've managed to collect some rare books that 

contain many of Robinson's lesser-known works. Seems a good idea to share a few;

therefore all of the pieces in this post are his.

Robinson's art is extremely eclectic, yet always retaining the stamp of 

his unique style and humor. Since I worry often about the variation in my own artwork, 

it's a comfort to see that Robinson's amazing talent and successful career 

was not damaged by his wide range of picture-making skills and interests.

Haystacks in the Snow

Since I've never seen this anywhere but in an old art catalog, not sure if it was a 

full color watercolor or originally done in black and white, but the piece is 

gorgeous nonetheless--worthy of Jean-Francois Millet.

This goofy little bird-man is from The Works of Rabelais 

which Robinson illustrated for Grant Richards in 1904.

I've always examined and learned from Robinson's full-color plates, 

but his pen and ink work is paragon, and his spot illustrations 

of goofy people burst with life and character.

This is a border decoration from 

the aforementioned Monarchs of Merry England...

...as is this jumping Medieval Scotsman.

This little piper kills me. He marches along on a 

sheet music illustration--the whole thing shown below:

This is a beauty--a stunning pen work full of tiny elves 

peeping out of the trees and faery folk cavorting in the air.

A Hag from Witches and Fairies

Collapsible Bishop's Hat, from The Bystander, 1920

A Very Tremendous decoration 

from The Water Babies, 1915

Also from The Water Babies

From The Bystander, lampooning a proposed 

tunnel under the English Channel, 1919

And last, another brilliantly lit watercolor...

The Black Prince, After Crecy, from The Monarchs of Merry England.

For more on William Heath Robinson visit http://www.heathrobinson.org/

Stay tuned for some future posts on some exciting contemporary illustrators.

And thanks for the visit!